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No. 42 – The Cook’s Wedding
If you don’t happen to be a Chekhov completist and you aren’t reading every single volume of Constance Garnett’s 13-volume translation of Chekhov’s stories, let me explain that the story “The Cook’s Wedding” is the first story of volume 12, in which every story is about children or animals. If reading roughly two dozen stories…
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No. 44 – A Living Chattel
This is the earliest story included in the 13 volumes of tales that Constance Garnett translated. It’s the only story out of the hundreds in the collection that was published in 1882, when Chekhov was grinding away at medical school and just beginning to publish his work in a few journals, most of them newish…
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No. 43 – The Two Volodyas
A portrait of an impulsive young woman, Sofya Lvovna, who has married a dashing playboy many years older than her. The two Volodyas of the title are Vladimir Nikititch, otherwise known as Colonel Yagitch, Sofya’s 50-something husband, and Vladimir Mihalovitch, her childhood friend and former/lingering crush. (Volodya is a nickname for Vladimir.) Having married Colonel…
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No. 47 – A Daughter of Albion
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No. 58 – The Head of the Family
This is a brief, searing portrait of an ill-tempered father and his cowering family. Doubtless it was inspired by Chekhov’s own ill-tempered father, Pavel. Chekhov did not write from life, exactly, and the circumstances of the Zhilin family in this story are different from that of the Chekhovs, but the character of the father in…
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No. 46 – In the Graveyard
As early as 1884, Chekhov was busy hating on actors, or at least finding their profession miserable. It’s really a wonder to me that he ever wanted to be a playwright. This story, about a miserable and basically pathetic little actor at the end of his life, was published well before Chekhov was deeply involved…
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No. 48 – A Slander
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No. 49 – A Transgression
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No. 50 – On Official Duty
Chekhov wrote quite a few stories set in waystations of one sort or another – mean little inns, railway stations, etc. – where folk of different classes and backgrounds are forced to cohabit with one another, if only for a night or two. “On the Road,” “The Post,” “Easter Eve,” “The Witch”…. really it’s a…
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No. 51 – Gusev
Dipping into his medical bag of tricks, and possibly drawing on his own experience of tuberculosis, Chekhov sketches a brief tale of a dying soldier shipping home on board a steamer. The soldier, Gusev, shares an uncomfortable space with several other men, all deathly ill; one, Pavel, blithely tells Gusev that he (Gusev) will die…

