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No. 21 – Too Early
This is a sketch of peasant life; it would sit very comfortably between “Peasants” and “Peasant Wives,” two of Chekhov’s best-known portraits of rural poverty. A quick aside: I don’t love using the word “peasant.” But it’s almost impossible to talk about Chekhov’s work without it. Characters are often referred to as peasants; there are…
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No. 20 – Art
Like “The Fish,” “Too Early,” and several other Chekhov stories, “Art” is a tale featuring comically oafish workingmen, but in this case, the main character, a peasant named Seryozkha, has a special talent. Seryozkha is a ragged, mangy mutt of a man, with tufts of wool hanging from his shaggy sheepskin. Not only that, he…
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No. 17 – Dreams
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No. 16 – Agafya
“Agafya” is a portrait of rural life pressured by Russia’s changing economy. It is set in a village where justice is served via a peasant court that metes out punishment in the medieval fashion, with floggings and who knows what other cruelties. But in this seemingly medieval society, many of the men ride trains to…
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No. 15 – The New Villa
This is one of the occasional Chekhov stories that is explicitly about social tensions in Russia. It’s a compelling tale and an interesting peephole into the ways that the rich and poor lived–and their sometimes fraught relationships. The story: A bridge is being built outside a small village. We’re never told why the bridge is…
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No. 12 – Peasant Wives
Of the hundreds of Chekhov stories I have read, this is the one I have thought back on most often, so astounding are the characterizations, so complete the world created by the writer, and so cruel the lives he describes. The story is complicated, considering how brief it is. The opening pages are presented almost…
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No. 59 – An Artist’s Story
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No. 87 – Darkness
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No. 93 – A Malefactor
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No. 45 – The Dependents

